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Inspiring Women Every Wednesday: Padmashri Shovana Narayan
Celebrating 75 Years: Shovana Narayan, India’s most celebrated Kathak Guru A multifaceted pioneer, Shovana has left an indelible mark as a performer, choreographer, guru, researcher, organizer, and author. Her performances, which blend deep-rooted classicism with innovative artistry, are celebrated for their freshness and social consciousness. Since her debut in 1954, she has mesmerized audiences across the globe at leading national and international festivals. Her shows before Heads of State have been lauded as ‘captivating,’ ‘sheer poetry,’ and ‘sublime joy transcending boundaries.’ Shovana Narayan is renowned for her unique contributions to Kathak and beyond. She seamlessly balanced dual careers as a professional dancer and an Indian Administrative Service (IAAS) officer, achieving excellence in both fields. Her work addresses various social issues, including environmental concerns, women’s rights, and human rights, showcasing her commitment to meaningful causes. She has pioneered contemporary interpretations of classical literature and mythology, engaged in inter-faith and intercultural dialogues, and introduced innovative dance genres. Her service on various academic and cultural committees further underscores her influential role in shaping contemporary Indian art. Shovana Narayan stands as a paragon of Kathak. Her eclectic taste, bold views, and luminous personality continue to inspire and challenge audiences across generations. Let’s Get Inspired In Conversation with Shovana Narayan – Preeti Juneja Reminiscing About My Childhood Days: Academics and Dance I come from a family with a rich cultural heritage, particularly on my mother’s side. Our family embraced all of Saraswati’s arts, including scholastics, performing arts, visual arts, and more— essentially, all sixty-four Kalas. Every child in the family was immersed in these arts and trained accordingly, though the direction they ultimately took depended on their interests. Besides music and the performing arts, my mother’s interests included literature in Sanskrit and Hindi, and I grew up surrounded by the Bhagavad Gita, Mahabharata, and Puranas. When I was around four years old, brimming with the boundless energy typical of children, I was introduced to the world of dance. My first guru, Guru Sadhna Bose, the renowned dancer and actress of that era, was taken aback when she first saw me. She told my mother in Bengali, “You didn’t bring a child; You brought a baby!” Besides training in dance, I also attended formal schooling at Loreto Convent, Calcutta. I fully immersed myself in dance, and I loved academics as well. Dance became my aatma – my soul, while the other activities continued to nourish my mind. Interestingly, I was also introduced to classical music. However, I never took it seriously, and my sister never pursued it in dance. We were given the opportunity to explore various fields, but we both had a strong inclination towards scholastics as well. As a result, we followed two parallel paths – one in the arts and one in academics – and both have continued to shape our lives. Reminiscing About My Childhood Days: Family and Personal Interests Women supporting one another to create a strong network for navigating both personal and professional challenges is what interests me. Through my podcast, Unstoppable Woman, I aim to amplify the voices of strong, determined women from diverse backgrounds, fostering a community of support and inspiration. The podcast serves as a platform for celebrating triumphs, overcoming adversity, and driving positive change. Through this platform, ‘Unstoppable Woman’, I feel women from all walks of life come together to share stories, learn, and uplift one another. I don’t come from a family lineage of traditional artists. My grandfather, my Nanaji, was a prominent figure in Indian history, serving imprisonment in 1919 during the freedom struggle and serving in the Central Assembly from 1922-23. Originally from Bihar, he was a great freedom fighter, a prominent lawyer, and a zamindar. Tragically, “not only did he die in 1930, but his two sons also lost their lives in the struggle for independence”. His younger sister was one of the first four female members of the Bihar Assembly in 1937 and notable in her own right. Given this rich legacy of nationalism, it is no wonder that the Bhagavad Gita was deeply ingrained in our lives, often sung at home, and became a significant part of my upbringing. As a child while I was singing ‘वनिता की ममता न हुई…’ and ‘हिमाद्रि तुंग श्रृंग से प्रबुद्ध शुद्ध भारती’ while also ‘Baba, Black Sheep Have You Any Wool’. My reading varied widely from Jai Shankar Prasad’s modern Hindi literature to Enid Blyton’s children’s books, and later included Shakespeare. At school, I loved physics, anything related to mathematics, and logic. This interest led me to pursue a PhD in Physics. By then, I had become recognized as a solo professional dancer. At one point, I pursued two careers simultaneously: dance and civil service.Today, my interests range from archaeology and history to anything logical and analytical. Anecdote I: I was 26 years old when my father died in a train accident in 1977. The next day, I gave the Agni. Later, my sister collected the Asthi and then went to Haridwar to complete all the final rituals. My mother was strong and gave me the courage: ‘This sorrow will not go away, but life will go on.’ I went to Mathura to perform at the festival only a few days after the tragedy. My parents gave me all the opportunities, with the only condition being, “Whatever you do, don’t do it half-heartedly. Do it well. Do it with depth. Do it with dedication. Do it with honesty and sincerity.” My Relationship With My Mother I remember this lesson vividly, as if it had happened just yesterday. I was eight years old then, deeply immersed in my studies, when my mother, a strict disciplinarian, suddenly came in, closed my books, and told me to leave. I was taken aback and scared, wondering what I had done wrong. She told me, “You aren’t studying; your mind is wandering”. I don’t want to hear you say that you have studied for so many hours. Nothing would have gone into your mind if I had
